Because of its massive influence on literature, art, and culture in the Western European Middle Ages, visual arts based on the Gospel of Pseudo-Matthew may be found in many contexts. In some cases, these images are based on Pseudo-Matthew and medieval additions to it, such as episodes from a Latin translation of the Infancy Gospel of Thomas. In other cases, it’s difficult to establish if the images are based directly on Pseudo-Matthew, the adaptation known as the Nativity of Mary, or common iconographic traditions. Yet, in all cases, these artistic representations are based on scenes that ultimately derive from Pseudo-Matthew. This page is an attempt to catalogue images that have been digitized and made available online. For now, these links are to digitized medieval manuscripts, though I hope to add other types of media as well.
As I hope is clear, this is a work in progress, and will be ever changing. I’m especially interested in expanding this list based on others’ recommendations–so if you know of an image, please let me know!
Life of the Virgin stained glass window cycle in Chartres Cathedral, 12th century
This series of images depicts various scenes from Mary’s life. Especially notable about these images are the close associations between the Nativity of Mary, Fulbert of Chartres (c.960-1028)–a major promoter of this work and its role in the development of the Feast for the Nativity of Mary–and the reconstruction of Chartres Cathedral after a fire destroyed it in 1020.
Holkham Bible Picture Book (London, British Library, Additional 47682), c.1327-1335
This picture book contains scenes from the Bible, including images of the Creation to Noah in Genesis; genealogies of Mary and Jesus and the Life of Christ from the Annunciation to the Ascension; and the Last Judgment. These scenes are accompanied by explanations, mainly in Anglo-Norman, but some in Middle English. Folios 14v-15v contain miniatures of the Flight into Egypt and Jesus’ childhood miracles, based on the Gospel of Pseudo-Matthew and later additions to the text, with explanations in Anglo-Norman.
(Right: Detail from folio 15r: Jesus’ miracle of the palm tree.)
Taymouth Hours (London, British Library, Yates Thompson 13), c.1325-c.1350
This manuscript is highly decorated throughout with scenes from the Bible, apocrypha, and saints’ lives. Folios 55v-59v contain a sequence of images in the base-de-page, based on the Gospel of Pseudo-Matthew, depicting the life of Anna and Joachim and the life of Mary; folios 95v-96r contain a similar sequence depicting the Flight into Egypt, and Jesus’ childhood miracles.
Klosterneuburger Evangelienwerk (Schaffhausen, Stadtbibliothek, Gen. 8), c.1340
This is the oldest copy of a German synthesis of biblical and apocryphal stories about Jesus and the apostles, with over 400 pencil drawings illustrating the text in the margins. On folios 20r-29r, the text relates events in Jesus’ childhood based on the Gospel of Pseudo-Matthew and later additions to the text, accompanied by marginal illustrations.
(Left: Detail from folio 21v: Baby Jesus gets a bath.)
London, British Library, Add. 50005, Dutch Book of Hours, c.1410-c.1420
This manuscript contains series of 66 full-page miniatures, accompanied by textual explanations of the scenes. Many of these images derive from the Gospel of Pseudo-Matthew and later additions to the text: the life of Anna and Joachim, the life of Mary, Jesus’ Nativity, the Flight into Egypt, and Jesus’ childhood miracles.
Dunois Hours (London, British Library, Yates Thompson 3), c.1439-c.1450
Folio 37r includes a series of images in the border, surrounding a miniature of the Annunciation for the Hours of the Virgin (counter-clockwise from upper left image): Joachim’s offering refused in the temple; Annunciation to Joachim; Annunciation to Anna; Anna and Joachim reunited at the Golden Gate; birth of Mary; Presentation of Mary at the temple; Mary’s betrothal to Joseph.
Book of Hours of King Charles VIII (Utopia, armarium codicum bibliophilorum, Cod. 111), c.1488
This manuscript is highly decorated throughout with scenes from the Bible, apocrypha, and saints’ lives. Folios 54v-60r contain border decorations with images and brief descriptions of the life of Anna and Joachim and the life of Mary based on the Gospel of Pseudo-Matthew.
(Right: detail from folio 55v: Mary climbs the temple steps.)
Drawing of the heads of Anna and Joachim in the margin of London, British Library, Arundel 36, folio 13r.
Nativity of Mary, with Anna and Joachim, in London, British Library, Harley 629, folio 1v.
Anna and Joachim reunited at the Golden Gate in Jerusalem (as in Pseudo-Matthew 3:5), most for the Feast of the Conception of Mary on December 8, listed roughly in chronological order:
London, British Library, Sloane 2732 B, folio 14r.
London, British Library, Sloane 961 or 2467, folio 13r.
Winchester Psalter (or Psalter of Henry of Blois; London, British Library, Cotton MS Nero C.iv; 12th-13th cent.), folio 8r, which also contains the Annunciation to Anna; folio 4r also includes the Annunciation to Joachim.